Powered by advanced BOSS technology, the ultra-versatile MD-500 delivers nearly any type of modulation effect a musician could want, and then some.
Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created.
The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song.
Mobile, battery powered, and filled with a diverse selection of flagship-quality BOSS amps and effects, the ME-80 is the ideal compact tone processor for performing guitarists.
The RC-30 is a Twin Pedal multitrack looper with two synchronized stereo tracks and built-in loop effects.
The Cannonball™ pedals are the legacy of our original Wave Cannon™ v1 stompboxes.
The BeatBuddy is a drummer in a guitar pedal, always ready when you are.
The Kilt is a true 2-in-1 Dirt Box / Boost in a small footprint that packs all the power, range, options, and tones you could ever want.
Nova Delay houses 6 delay types and 2290 MS of delay time. Add the modulation options and you've got yourself a delay that came to play!
Think of your favorite delay sounds and chances are it's a TC sound. Our delays are the industry standard, and our 2290 Dynamic Digital Delay is one of the most coveted pieces of gear out there today.
The Supa-Puss is equipped with a total of six bucket-brigade chips, delivering up to 900 milliseconds of delay time.
The CE-2W’s Standard mode faithfully recreates the classic CE-2 chorus sound, and adds an expansive new sound field with stereo output, which was unavailable in the mono CE-2.
Using all-analog circuitry, the VB-2W authentically reproduces the true pitch-shifted vibrato of the original pedal, and also adds an innovative new vibrato mode and real-time control function for enhanced expression.
Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.
The Ernie Ball Expression Overdrive delivers natural tube-like overdrive with more range than ever before.
It’s the size of a Phase 90, and it delivers the EP-3’s legendary tones with a simple control interface and a hi-fi all-analog dry path.