The Florist is one of those rare pedals that feels less like a traditional effect and more like an entirely new instrument. Born from a collaboration between Non-Human Audio and innovative circuit designer Chris Benson, the Florist takes the core inspiration of the original Slow Loris and expands it into something wildly unique, unpredictable, and endlessly creative.
What started as a conversation at a pedal event in Oklahoma City quickly evolved into an ambitious collaboration focused on pushing modulation and delay into completely new territory. The result is a highly interactive dual-delay modulation machine capable of everything from lush chorus and vintage slapback to swirling through-zero flanging, strange ambient textures, and beautifully chaotic sonic landscapes.
At the heart of the Florist are two independently controlled wet delay paths, each with its own detector circuit, intensity control, and volume control. Combined with a redesigned high-fidelity signal path and an ultra-fast delay range, the Florist delivers rich, dynamic movement that responds in musical and often surprising ways. Blend the dry signal alongside Wet A and Wet B independently to create anything from subtle spatial enhancement to massive, unstable walls of modulation.
The Florist also features a unique GHOSTS latching footswitch that pushes both delay lines right to the edge of oscillation, unlocking eerie feedback textures, unpredictable note trails, and experimental sounds that feel alive under your hands.
Whether you’re chasing warped slapback tones, deep tri-chorus textures, strange modulated ambience, or inspiring studio experimentation on vocals, synths, and drums, the Florist opens up a world of sounds that genuinely defy categorization.
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