Zildjian 22" Kerope Medium Low Ride

$1,179.95
In stock
Crafted with masterful precision and steeped in Zildjian legacy, the Kerope series has returned to give drummers a powerful connection to the roots of the “old K” sound.
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Crafted with masterful precision and steeped in Zildjian legacy, the Kerope series has returned to give drummers a powerful connection to the roots of the “old K” sound. Inspired by the legendary Turkish intermediate stamp cymbals, these rides deliver rich, dark tones full of vintage character—bringing back a sonic voice that shaped jazz, rock, and beyond.

The Kerope isn’t just built—it’s sculpted. Each cymbal undergoes an intensive hammering process, more than four times that of a K Constantinople, echoing the old-world techniques that defined the golden era of cymbal making. With a traditional deep pin lathing pattern, a distinct waxing treatment, and double the sound testing compared to other models, the Kerope stands apart with its unmatched warmth, musical complexity, and responsiveness.

Whether riding or crashing, the Kerope responds with an expressive dynamic range that blends beautifully with any ensemble. Its controlled stick articulation rises through its dark wash, delivering a voice that feels both immediate and timeless. Every cymbal features a signature touch—Craigie Zildjian’s name etched into the bell, paying homage to one of Zildjian’s most influential leaders and making this the only Zildjian model to carry her mark.

Specifications:

  • Lower-profile ride design with deep, defined tone and added body
  • Delivers the long-sought-after vintage Zildjian K character
  • Exceptional sensitivity and control under the player’s hands
  • Warm, dark tonality with complex overtones when crashed
  • Deep pin lathe supports brush playing and enhances stick articulation
  • Signature of Craigie Zildjian engraved in the bell
  • Laser-etched Zildjian logo for subtle branding
  • Meticulously hand-hammered, echoing mid-20th century techniques
  • Undergoes extensive sound testing for tonal consistency