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Sabian
Sabian 18" B8X Ozone CrashWith a double 8-hole ring of response-enhancing holes, the 18" B8X O-Zone responds rapidly with a combination of bright explosion and dirty agitation.
Sabian
Sabian 18" B8X Medium CrashPrecision formed, hammered and lathed for pure, tonally tight sounds, B8X is the bright, cutting sound of pure Bronze
Sabian
Sabian 18" B8X Crash RideBlending explosive crash power with full ride response. Great multi-purpose ride.
Sabian
Sabian 18" B8X ChineseBright bite is aggressive and edgy, with a cool, cutting rawness that is immediate and trashy.
Sabian
Sabian 18" B8X Ballistic CrashNot unlike a higher pitched HHX X-Treme Crash, the extra-large hammering pattern from the bottom creates a flexible cymbal that is more responsive and opens up quickly and easily.
Sabian
Sabian 18" AAX Ozone CrashWith a bright, shimmering sound and a multi-holed design increasing the agitation in its tone, this O-Zone delivers bite with a touch of anger.
Sabian
Sabian 17" XSR Fast CrashXSR is not a budget series, but rather a line of smartly-priced cymbals that would not be out of place on any drum kit, on any stage.
Sabian
Sabian 17" HHX Complex O-Zone CrashA perfect blend of old and new world craftsmanship, HHX Complex Series continues to innovate, adding O-Zone Crashes for a trashy, dark, explosive cut.
Sabian
Sabian 17" B8X Thin CrashFast, punchy, bright and loud attack make the SABIAN 17" B8X Thin Crash a cutting model.
Sabian
Sabian 17" AAX Thin CrashThe 17” AAX Thin Crash from SABIAN introduces a whole new palette of sound to the AAX line.
Sabian
Sabian 17" AAX Freq CrashSABIAN’s FREQ design is an exclusive dual-lathing process that results in unique, intensely-cutting crashes that deliver quick bursts of hi-frequency tone, and fill the stage with big, open sound.
Sabian
Sabian 17" AA Holy ChinaWe were asked to make a China cymbal that was over the top loud and trashy. With its exaggerated high profile, raw bell and 16 rows of volume/trash-enhancing holes, the 17″ AA Holy China may very well be one of the loudest cymbals we’ve ever made